Category Archives: Memoir

Gauthic Times #62 News & Other Stuff from Bill Gauthier, or Revising from Space

Hello, friends! Is it possible to clench your jaw so hard that it snaps off, flying across the room and hitting someone in the forehead? I’m asking, as the kids say, for a friend.

The sun is shining on this mid-March Saturday, the sound (noise) of children playing outside is coming through the sliding glass door, and I’m here to say “hey” to you, my faithful readers.

Hey.

Welcome to the 62nd installment of Gauthic Times, the newsletter about my writing, my life, and my feelings on AI in education.

You’re probably sitting there wondering how you can get me to write more. It’s a question that keeps you up at night. I get it.

Well, becoming a Patron on my Patreon, where I write about things in more detail than I do in the newsletter or on my website, including the actual names of my works-in-progress and not just codenames, would certainly help. The lowest tier for Patreon is $1. Check it out: if every social media follower I had did the $1 tier, I could write more and pay my bills better. The same would happen if they bought copies of my books.

You can also buy me a coffee through Ko-Fi

Echoes on the Pond is out now! Grab a copy, if you haven’t already. If you have bought it already, books make great gifts! And if you’ve read Echoes on the Pond, I’d also really love (and appreciate) it if you’d leave a nice review on Amazon or Goodreads.

You can also get my collection Catalysts or my novellas Alice on the Shelf and Shadowed.

Anyway, let’s do this!

***

Project: MG Space Adventure I has been my main focus for this week. Beginning last Sunday, I’ve gone through half the book. There’s twenty less words than when I started with the tightening up, polishing, and minor revising.

I call the book a middle grade space adventure because it’s a kids’ book, aimed at the 8-12 age group though I am told adults can enjoy it, too. At about 131 pages, or around 30,200 words, the book is very slim compared to the adult horror novels I write. That said, it still hits me emotionally at times.

I refer to it as a “space adventure” instead of a “science fiction” novel because there’s not tons of science in this fiction. It’s really an adventure on another planet with science fiction motifs, like a crashed spaceship, an alien race, and a robot friend. It’s friggin’ fun.

***

“Hey! Have youse guys tried out the new AI stuff?”

The teacher from another vocational program came into my classroom not because of me but because one of my colleagues had been standing near my desk, chatting with me. She looked at me with that look on her face I know so well, just this side of an eye-roll.

“Not really,” she said.

“I’ve–” I started.

“Oh, man! It’s great!” he said. “I’m not so great at writing lesson plans and I can just plug in a few ideas and it does it for me! Youse guys gotta try it!”

Now I know for a fact that this first-year teacher, who’d been a teaching assistant in his program longer than I’ve been teaching there (that’s since 2007) needed to be told that Google Classroom doesn’t correct tests and give grades for you unless you put the answers in. He was under the impression that Google just knew, I guess.

And this is one of many reasons that I worry about AI in education. Before he’d cut me off and ignored me (as he put his satchel on my desk, moving some stuff with his bag and nearly forcing me to stab him in the eye with a pencil–I hate my desk(s) being touched), I was about to tell him that I’d used AI to help create rubrics. We all have our weaknesses and rubrics are mine. But using AI to help craft a rubric is actually very similar to what I’ve been doing for years, and in some cases, better.

Knowing that I’m not good with rubrics, I’ve often looked up rubrics for topics that I’m teaching and then taken them, revising them for my needs. AI does the same thing. It’s taking the criteria that I put in it, the objectives and frameworks/competencies that I’m looking for and churning out a rubric.

From there, I go through and revise it, tweaking and fixing things and putting my stamp on it. Just like I did when I was taking the rubrics from Google Images, etc.

I guess if I used AI to write a lesson plan, I would do the same thing. I’d use it as a guide for myself.

That is not what this guy is doing. This guy is putting whatever word salad he can manage into the machine and using what it puts out, right or wrong. When he said, “It writes the whole thing for you,” it said everything.

This is what I find disturbing about AI in education. It easily does what AI in every other artform does: it takes the humanity out of the work. Only the teacher can know what will work and what might not. Only the teacher can revise the lesson plan based on past problems that arose when teaching it. Or based on the students they currently have in front of them.

I’ve been thinking about AI in education a lot since a PD day back in November but it wasn’t until this moment when the other teacher came into my classroom to talk to my colleague (which is the only time he comes into my room: to talk to other adults in my room or if he needs something) that it solidified for me what troubled me most about AI in the classroom. It doesn’t know our students, any more than many administrators who never come into the classroom.

And that is wrong.

***

Okay, that’s this week’s newsletter. Thank you for reading!

If you’d like to see what I could do if I wrote full-time, share this newsletter with others and consider a paid subscription.

You can also tip/donate on Ko-Fi.

Of course, you could also become a Patron on my Patreon, which has a lot more information about my works-in-progress and the books I’ll be querying, including titles and some simple, non-spoiler details.

Get my collection Catalysts, my novellas Alice on the Shelf and Shadowed, and definitely order Echoes on the Pond, out now!

If you haven’t left a review on Amazon, Goodreads, or anyplace else for Echoes on the Pond, please consider doing so. This greatly helps sell copies.

And maybe call your local brick-and-mortar bookstore and demand they carry it! I’ll even sign copies! Well, if they’re local to me. That means Massachusetts, Rhode Island, and maybe some of the other New England states.

Thank you for subscribing!

Gauthic Times #59 News & Other Stuff from Bill Gauthier, or the I Don’t Want Vacation to End Post

Hello, friends! I’m writing this later on Saturday night than I normally do and might have to finish this tomorrow. Things were busy today and I couldn’t get myself to the computer.

This week was a good one but it had one bad moment. On Monday, I started a new medication and it didn’t agree with me. It knocked me on my ass. I haven’t taken it since. It wasn’t a mandatory medication but something I was trying to help lose weight. While what was happening to me on Monday could definitely have resulted in losing weight, the manner in which I would’ve done so wasn’t how the medication should’ve worked.

The rest of the vacation week was good. It was mostly laid-back. Saw my father and my adult daughter on different days. I tried some stuff with Gabby Ray. Basically, I just tried to rest.

Now that the week is over, the anxiety is mounting again and I suspect that this week is going to be quite tough. We’ll see, I guess.

Welcome to the 59th installment of Gauthic Times, the newsletter about my writing, my life, and overbearing anxiety and sadness.

You’d like to see more nonfiction writing from me, right? Of course you would! Which is why you should become a Patron on my Patreon, where I write about things in more detail than I do in the newsletter or on my website, including the actual names of my works-in-progress and not just codenames. The lowest tier for Patreon is $1. Dig this: if every social media follower I had did the $1 tier, I could write more and pay my bills better. The same would happen if they bought copies of my books.

You can also buy me a coffee through Ko-Fi. It’s not a real coffee, but a way to leave tips and pay for content. In other words, it helps. 

Echoes on the Pond is out now! Grab a copy, if you haven’t already. If you have bought it already, books make great gifts! And if you’ve read Echoes on the Pond, I’d also really love (and appreciate) it if you’d leave a nice review on Amazon or Goodreads.

You can also get my collection Catalysts or my novellas Alice on the Shelf and Shadowed.

Anyway, let’s do this!

***

This week I wrote about 5,400 words in Project: Amusement Park. The novel now weighs in at around 177,900 words, or 641 manuscript pages.

February 20th marked one year since I started the novel. I’d hoped to have finished the first draft months ago, but I’m happy the story is being told. I’d also hoped to finish it this week but I didn’t write as much as I’d wanted, choosing instead to be with my family. It was, of course, the correct decision.

I found myself looking into some local Native American myths that might match some of what I’d written and found some that worked. It sounds strange to look into such things this late in the game but that’s how I roll. And while some of the things I’m writing about will have ties to these myths, they’re not supposed to only be from these myths, but older.

It’ll make sense once you read it.

***

I mentioned I was doing something with Gabby Ray this week. I played around reformatting the first sample book I did to be better viewed on Instagram. Here are a few samples:

For some, it meant resizing and adding new things, fixing inserts that wouldn’t translate well in the Instagram format, and thinking of a different way to tell the story in a way that’s compatible with Instagram.

Sometimes, the page setups just needed to be trimmed but the basic format from the book still worked.

Here’s an example of taking panels that, on the page, are side-by-side and making them fill the square in an interesting way. Part of the storytelling is making sure the panels and text move in a way that amplifies the story and the drama.

I haven’t decided yet how to proceed. I was thinking of doing either an art Instagram or a dedicated Gabby Ray one. But that’s in the future. I may test this on my main IG and see what happens.

***

The past week marked the fifth anniversary of my mother’s death. How the hell has five years passed? So much as happened and yet it still feels like yesterday that we last spoke. I miss her but I have to wonder what would’ve happened in the last five years had she not died in 2019. Would she have survived Covid? Would her health have deteriorated in other ways?

Grief is strange. I can still hear her voice in my head. Do you know what I can’t do? I cannot bring myself to actually hear her voice. I have videos and voicemails from her. She had a mini-cassette recorder that she used to dictate Queer As Folk fanfiction. No joke. She became pretty well-known, apparently, in those circles until her vision got too bad for her to write.

I can’t listen to any of those. I’m afraid hearing Mom’s voice again will wreck me. I have no problems looking at the pictures of her other than sadness but the idea of hearing her voice is too much.

Someday, I guess.

***

Okay, that’s this week’s newsletter. Thank you for reading!

If you’d like to see what I could do if I wrote full-time, share this newsletter with others and consider a paid subscription.

You can also tip/donate on Ko-Fi.

Of course, you could also become a Patron on my Patreon, which has a lot more information about my works-in-progress and the books I’ll be querying, including titles and some simple, non-spoiler details.

Get my collection Catalysts, my novellas Alice on the Shelf and Shadowed, and definitely order Echoes on the Pond, out now!

If you haven’t left a review on Amazon, Goodreads, or anyplace else for Echoes on the Pond, please consider doing so. This greatly helps sell copies.

And maybe call your local brick-and-mortar bookstore and demand they carry it! I’ll even sign copies! Well, if they’re local to me. That means Massachusetts, Rhode Island, and maybe some of the other New England states.

Thank you for subscribing!

Available now!

Gauthic Times #58 News & Other Stuff from Bill Gauthier, or The February Vacation Post

Hello, friends! Another great week being Mr. Gauthier. Stress, heartache, anger, and fear have become the norm since 2020 but especially right now. That said, there have been some pluses. I had a student tell me I was their favorite teacher ever, which is always nice to hear.

With vacation this week, there’s a bunch of stuff that needs to get done around the apartment and I’m hoping to do some major writing work. But that’s looking forward. For now, let’s look back on the week that was.

Welcome to the 58th installment of Gauthic Times, the newsletter about my writing, my life, and fun. Or something.

Would you like to see more nonfiction writing from me? If you’d like to help me write more, you can become a Patron on my Patreon, where I talk about things in more detail than I do in the newsletter or on my website, including the actual names of my works-in-progress and not just codenames. The lowest tier for Patreon is $1. If every follower I had on social media did the $1 tier, I could pay my bills better and write more. The same would happen if they bought copies of my books.

You can also buy me a coffee through Ko-Fi. It’s not a real coffee, but a way to leave tips and pay for content. In other words, it helps.  

Echoes on the Pond is out now! Grab a copy, if you haven’t already. If you have bought it already, books make great gifts! And if you’ve read Echoes on the Pond, I’d also really love (and appreciate) it if you’d leave a nice review on Amazon or Goodreads.

You can also get my collection Catalysts or my novellas Alice on the Shelf and Shadowed.

Anyway, let’s do this!

***

This week I wrote about 4,800 words in Project: Amusement Park. The novel now weighs in at around 172,600 words, or 621 manuscript pages.

There were two nights where I nearly hit 1,000 words, shy by about 60 words one night and 40 the other. There was also a night where I wrote a measly 290 and almost fell asleep while doing so. Still, anything is better than nothing.

Things in the story are certainly becoming intense as all the pieces are being placed, set up for the finale. I think I should finish the chapter I’m working on tonight and then we’re away on the climax. There’s still plenty of story left to tell and I’m beginning to get a notion of how things will end. Now it’s just shepherding it in.

I’m really hoping to finish the first draft (which is really more like the first-and-a-half since I’ve been doing some rewriting as I go) this week. I may have to do some marathon writing sessions to complete the book.

Somehow, I’ve been working on Project: Amusement Park for just about one year. February 20th marks one year since I started it. I hate that it’s taken this long for one draft but it is what it is. The fact is that I’ll have a first draft that I’m pretty proud of, and that’ll need lots of revising, but maybe not as much as Echoes on the Pond.

***

Speaking of Echoes on the Pond, I decided to make some ads for social media for the book. They’re still a work in progress and I’ve had Pamela and several friends helping me with them by critiquing them.

Feel free to take those last four ads and share them. I may make more of these, possibly for my other books, too. Who knows if it’ll help at the Twilight of Art and Creativity, but it’s something and, I guess, better than nothing.

***

Speaking of support, author and artist Monica Byrne made a couple of videos that I think are really important for creatives to share. Byrne’s novel The Actual Star is a modern science fiction masterpiece that I recommend to anybody. It’s very deep and follows three intermingled stories that span three thousand years, from 1012 to 2012 to 3012. Calling it a science fiction novel, while technically accurate, does it a disservice. It’s a novel, period. But this isn’t about that, it’s about her videos.

One version of the video is two minutes:

Monica Byrne / Writer, Artist / 2024 from Monica Byrne on Vimeo.

And the other is 90 seconds:

Monica Byrne / Writer, Artist / 2024 from Monica Byrne on Vimeo.

Consider sharing these everywhere.

***

Well, I think that’s about what I’ve got in me for today. Thank you for reading!

If you’d like to see what I could do if I wrote full-time, share this newsletter with others and consider a paid subscription.

You can also tip/donate on Ko-Fi.

Of course, you could also become a Patron on my Patreon, which has a lot more information about my works-in-progress and the books I’ll be querying, including titles and some simple, non-spoiler details.

Get my collection Catalysts, my novellas Alice on the Shelf and Shadowed, and definitely order Echoes on the Pond, out now!

If you haven’t left a review on Amazon, Goodreads, or anyplace else for Echoes on the Pond, please consider doing so. This greatly helps sell copies.

And maybe call your local brick-and-mortar bookstore and demand they carry it! I’ll even sign copies! Well, if they’re local to me. That means Massachusetts, Rhode Island, and maybe some of the other New England states.

Thank you for subscribing!

Available now!

I’m No Candle, or There’s No Honor in Martyrdom

I believe Harlan Ellison said something like the starving artist is a myth perpetuated by those who don’t wish to pay the artist. I believe he said something to the effect of, “There’s no nobility in starving for one’s art.” He was talking about writing, of course. But it came to me a lot a couple of weeks ago as a quote that was been being posted and read at my school for Teacher’s Appreciation Week compared teachers to candles, who “light the way while being consumed.”

I loathe this idea. I love teaching, but it’s a job. I don’t want to be consumed by it. A candle gives light until there’s no more left. This is not honorable, it’s only the way of things. If I light the way, it’s with a flashlight, which needs taking care of and a recharge. Of course, teaching technology and media, my flashlight is on my phone. I will do whatever I can to help my students find the river and drink, within reason. That, I hope, is honorable. When it comes to my personal health—mental or physical—or it comes to time with my family, or it comes to my other calling, writing, I draw the line.

All the other ”appreciation?” Keep it. Want to show appreciation? Time or money, that’s how. For all teachers everywhere.
The myth that “teachers are candles,” or any myth that teachers should give so much more of themselves than nearly any other career–without the corresponding pay of, say, a doctor–is perpetuated by people who do not actually respect teachers, but choose to believe that they should give more of themselves than they should. And this includes administrators.

Administrators love to point out how they have to be on-call all the time, and do this conference or that conference, etc. Considering they’re paid far, far more than those in the classroom (and so many of them have not been in a classroom, of have only taught a little while), that’s their choice. Teachers should not be expected to do what the administrators are willing to do without the same benefits and pay.
And this is not school specific, but all schools, all districts.
Just a thought.

This was originally posted on my Patreon page, as a Patrons Only post. If you liked this post, please consider becoming a Patron.

The Early 2022 Post, or Man, I Really Need to Step Things Up

Happy New Year! We made it through 2021 and that’s probably as positive as I can be about that experience! I mean, I guess it wasn’t worse than 2019 or 2020, but it wasn’t great. Teaching during the 2021-2022 school year has so far been the most difficult I’ve experienced. We here at casa de Gauthier are still somewhat hunkered down. I haven’t been to the movies since January 2020, for instance, and only go to stores when absolutely needed. Yeah, I’ve gotten my haircut and we’re a little more willing to some things, but we’re still being pretty careful. My nine-year-old, Genevieve, is being homeschooled until the Massachusetts DESE gets their heads out of their asses and do what’s really right for the protection of students (and teachers, but who cares about them!). Still, 2021 saw some exciting things.

In January, I sent a query/proposal to an agent for my middle grade space adventure novel. Having not heard anything for months, I queried other agents, who promptly said, “Thanks but no thanks.” In the last week of December, the agent from January got back to me. While they passed on the novel, they told me that they’d had it on their “maybe” list. So I came thiiiiiiiis close! It’s much-needed validation for the book, so I’m looking forward to looking into more agents and querying.

In February, I went on a limb and emailed Crossroad Press to ask if they’d be interested in bringing out my backlist and maybe a new novel, and they were interested! So that’s the beginning of the journey of the rereleases of Catalysts, Alice on the Shelf, and Shadowed. Alice on the Shelf has been in ebook pretty much since it came out in 2011, but the new versions of Catalysts and Shadowed are currently available, and the new print edition of Catalysts is, too, which is really exciting.

I started editing the new adult horror novel in August and am almost done with the line-edits. December became the month of the Lego Star Wars Advent Calendar and the new novel took a backseat while I wrote mini-stories and photos, which I did minor editing to in Procreate, spending from 20 minutes to 2 hours working on the stories. Mostly, they were about an hour or 90 minutes, which is the time I’d usually work on editing the novel. Now that the advent calendar story is over, I’m back on novel duty. I have about 25 pages to edit, and hope to get it done in the next few days. As far as the Lego Star Wars Advent Calendar story, that can be seen on my Instagram. If there’s interest, maybe I’ll collect the stories on a page here or on my Patreon.

I’m looking forward to what 2022 has in store and hope I can up things a bit—getting more Patrons, selling more work, and generally getting more stuff done. Echoes on the Pond will be released this year, which is exciting. I look forward to holding my first published novel in hands. I’m hoping to get more things going on my platforms. Part of that is health, too. I need to work on exercising and eating better, so that’ll be on the agenda.

If you’re so inclined, becoming a Patron of my Patreon page will help. I’ve been posting more there than on here, and Patrons get the inside scoop on things, including the titles of the works, occasional previews, excerpts, and perhaps more this year, especially if I get more Patrons.

It’s been a rough few years and I’m hoping 2022 will begin alleviating our pains. Thanks for reading, and I hope we’ll continue this journey for a long time to come. Again, happy New Year.

My Best Big Brother Moments (Just Not for My Younger Sister), Part I

I’ll often say I lived my childhood like an only child, and it’s pretty close to being true. My younger sister, Tracy, was born three-and-a-half after I was, and while we sometimes played together and had a good time, we often fought, and are very different people in a lot of ways. I could be, frankly, abusive toward her. I didn’t know that then, but I see that now, and I honestly feel bad about a lot of the shit I pulled. Even as adults, we really didn’t have much of a relationship, until last year, until my mother died.

I think neither of us really knew how to talk to the other and because we didn’t have a lot in common, we didn’t try hard. Especially me, the big brother. So when Mom died, we suddenly had one huge, massive thing in common. And it brought us closer. I wish I believed in an afterlife so I could believe that Mom sees how Tracy and I have grown closer. Tracy believes in an afterlife and believes my mother does see us and is happy.

This isn’t about any of that heartwarming stuff. This about two times that I got under Tracy’s nerves that I don’t consider mean, and that make us laugh now. They were good.

When we were kids, Tracy got into wrestling. I mean, she loved that shit. Me? I kinda hated wrestling from the get-go. Our older cousin, Cindy, enjoyed it and watched it and because what she said, went, we would watch it if we were sleeping over my grandmother’s. And because Tracy watched it all the time, I got to know the characters. Tracy had saved up money from birthdays and holidays and had a couple of hundred dollars put away, unlike me, who never met a penny I wanted to hold onto for too long. Well, Tracy went through that money on wrestling events. Wrestlemania, Summer Slam, Oily October, Enema Everyday, whatever the were. She’d have my mother order them on Pay Per View and watch those things. Fucking family members would come over and watch them, and because that’s where the action often was, I often watched them. I didn’t know it completely then, but now I do. I was gaining knowledge, knowledge that I could use.

I’d started suffering from insomnia around the age of nine. By the time I was 12, I was up late on Fridays and Saturdays because my parents allowed me to. These were grand times. The late-1980s, when horror TV shows were, everyone had a late night talk show (even that sponge, Pat Sajak!) and I loved it. Sometimes, though, when there weren’t horror movies or softcore porn flicks on Cinemax to watch (those last were ones I’d “sneak,” and the quotes meant I thought I was sneaking them but realize that my parents knew exactly what I was doing), I’d flip through the channels to find something. I learned a lot this way. One night, I happened upon wrestling.

Here’s the set-up: In one of those events a few months before, the Ultimate Warrior fought Hulk Hogan and won. Now, this was a Big Deal for wrestling fans. The Ultimate Roidier–er…Warrier–had defeated Hulk Hogan so badly, that the Hulk left the WWF!! Tracy got really upset when I pointed out that maybe it wasn’t because Hogan got hurt so badly but rather was off shooting a movie in his umpteenth attempt to get a film career (John Cena and Dwayne Johnson must really fry his frijoles!) and she’d cry and Dad would tell me to leave my sister alone.

Anyway, here I was, flipping through the channels, there he was, all oiled up, bleached hair, asthmatic breathing, bright yellow clothing, talking to Mean Jean Okerland (was that his name?). This was the moment Tracy had been waiting for. She’d even mentioned she thought Hulk Hogan was coming back. The thing was, she watched the show on Saturday mornings. Here it was, late-Friday night, early-Saturday morning. And Hulk Hogan said the words that have been stuck in my brain for about 30 years now.

He said, with all the seriousness and heart that only a professional wrestler can summon, “I’m a born-again Hulkamaniac, brother!”

It was like Shakespeare. I was moved to tears. Tears of laughter. “I’m a born-again Hulkamaniac, brother!” Oh, shit, this was gold. And a plan formed. I shouldn’t be proud of the plan. It wasn’t nice. But it wasn’t terrible, either, and we can laugh about it now, so fuck it.

The next morning, I watched TV or read in the living room or some shit like that until Tracy wanted the TV. Saved By the Bell followed by what my Mémé referred to “wrasslin’.” This was often my cue to leave the room. Not this Saturday morning, oh no.

Wrestling started and I had to sit through what felt like four decades of it until the moment came. I can’t remember what she’d done, but Tracy had pissed me off earlier that morning, and I knew just what to do. The segment started and before Hulk’s intro, I turned to her and said, “Here he comes!” She looked at me, her crystal blue eyes and mouth all o’s. Then her face quickly turned to panic.

I stood up and began doing the Hulk Hogan twirling my hand and listening to the audience.

“Stop it!” she yelled. “Shut up!”

He was introduced. “Daaaaddy! Billy’s being stupid!”

From the other room: “Leave your sister alone.”

Mom was working. That’s fine.

I sat down and Tracy leaned close to the TV. Hulk Hogan had survived his fight with the Ultimate Warrior, and as he spoke to Mean Gene about how he’d had a crisis in faith, I began laughing. I couldn’t stop it.

“Shut up!” Tracy said. “Daa-aaaddd!”

“Call Dad one more time and I’ll tell you what he says.”

Tracy looked horrified.

“You see,” I said, standing up, doing an okay impression of Hulk Hogan.

Daaaaaddd!!”

And right on cue, Hulk Hogan and I said, “I’m a born-again Hulkamaniac, brother!”

Then I started laughing so hard, I cried. Tracy skipped the former and went to the latter. She cried for Dad and he came to the living room door, exasperated. He yelled at me, I’m sure, but I was laughing and crying. And for years, if I wanted to get a rise of Tracy (which is something older brothers often enjoy doing with younger sister’s), I’d say in my best Hulk Hogan impersonation, “I’m a born-again Hulkamaniac, brother.”

That’s all I’ve got in me right now. But I’ll be back soon with the other big thing I did, that was really a stroke of genius if you ask me.

 

_______________________________________________________

If you liked this essay and want to help the cause, go on over to my Patreon page and sign up.

Aftermath & Updates

Today is Dad’s birthday. He’s 78. I talked to him tonight and made him laugh a few times. It’s a gift, this ability to say the thing to make him not cry. It was a gift that I used during the two days we stood by Mom’s deathbed. I helped my sister through, too. So that was my present to Dad tonight. I made him laugh. It was something small, but it was something.

I’m numb. It’s been a month and five days since my mother died and it feels…wrong. Strange. Inconceivable (and, yes, it’s okay if you read that in Wallace Shawn’s voice, I did, too, as I wrote it). She was a force of nature. And now…

I’m told I haven’t been the same, that I’m not myself. Everyone expects it, of course, but still. I haven’t had a full breakdown moment, yet, where I wept and cursed the heavens or anything like that. My crying has come in moments, flashes, and then gone. I have laughed a lot, telling funny stories about Mom, which I think she’d prefer anyway. But still, I’m numb.

Very quickly, I found the one thing I could do was write. I’ve been working on the new novel pretty well. I’m just over 64,000 words into it and know the story is rolling. It’s mainly telling itself. I’ll call it The Monster right now, because it fits the book, though that’s not the working title. I haven’t worked on it as much as I’d like because I’m taking a state-mandated course for my teaching license, and the general exhaustion I feel through this time of melancholy, but I’m still doing well. I submitted Echoes on the Pond to an agent. Well, the query letter and first ten pages. I’m hoping he’ll bite. It’s a good book that I think deserves a chance in the sun. Once I finish the first draft The Monster, I’ll begin editing/revising my middle-grade science fiction novel, which I’ll call SpaceGirl for now. G and Pamela loved it and I think it also deserves its moment in the sun. It feels good to be wordslinging again. It’s falling into place in a way I haven’t felt in a long, long time.

One of the things I’ve done as I mourned is listen to Bruce Springsteen. All right, let me revise that. If you’re a reader of this blog (or my social media, or you know me personally), you know that I listed to Springsteen a lot. Well, of course  I’d listen to him during this trying time. I’ve found The Rising to be an album that rises to the challenge. No pun intended but feel free to laugh. “The Rising” itself is a song about having died and going to the Great Beyond, whatever that is. But songs like “Lonesome Day,” “Countin’ on a Miracle,” “Mary’s Place,” and “You’re Missing” are built for this kind of thing. Maybe I’ll write about these songs in regards to this.

One of the things I’m afraid of is that I’m talking about (or writing about) Mom too much. I’m worried people will think I’m trying to play a pity card or something. I’ve been assured by friends that it’s natural, but it’s still a fear.

Anyway, I’m bouncing along, doing what I can. I feel lost, still, most days. My mind allows me to jump to jokes and stuff like that to protect me, I guess. Either way, I’m working on a dream (to steal from Springsteen again) as I write, and I’ve been very lucky to have a good support system around me. That’s where I am right now. I hope you’re well. And I’m glad I got to make Dad laugh for his birthday. I did something good today.

Mom

Yesterday afternoon, Friday, February 22nd, 2019, Patricia Ann Gauthier, Pat to her friends and loved ones, Mom to me and my sister, and Mémé to my two daughters, died. She was 68 years old, two weeks away from 69. I was there, holding her hand, at the end. My father had just come in from bringing a much-despised aunt home and my younger sister, Tracy, had stepped out for something. The nurses came in to do something and Dad and I stepped out into the hallway. They came out and let us know that we should go back in. The end was arriving. I texted Tracy and Mom died before Tracy got there. That was Mom. Wait for her Sweetie, my Dad, and save Tracy from seeing what she wouldn’t want to see. And me? Well, she knew I’d be there. I’d been there all day. I acted as her voice, sometimes pissing people off, but that’s all right. I’m used to it. She’s gone and, in the end, well, I hope I did good.

Death is ugly. In the movies, someone lies on their bed, says something dramatic, and fades away, as though they are sleeping. I’m sure there are deaths like that. Not this one. My mother was gone, for all intents and purposes, Thursday morning. She never really responded to me, though I was told that she could hear me and even responded in her own way at that point, and I’ll hold onto that, and feel bad about that, and everything else. You know, the regular human emotions. Mom made me her healthcare proxy because she knew I could, and would, make the decisions she wanted. I have to say, that when it was left up to me, the last few days went mostly well. There were hiccups, yes, because death is ugly, but she was a force of nature, and I had to learn to be at times.

Death is ugly not just in what happens as a person dies (Mom would appreciate that the writer in me found the process fascinating and logged it all–it’s my curse, my cross to bear) but in how the survivors behave around death. Grief and anger are the ugliness of these. I know I have alienated family members, and I’m all right with that. First, I haven’t seen most of them for a decade or so, so I was already somewhat alienated; and second, I called out bullshit and while I could’ve (should’ve?) handled it better, my mother was dying. Another time a family member that my mother did not want to be there forced herself in, getting to my father, who actually brought her there (see the “much-despised aunt” from above) and then needed to bring her fat ass home. She actually had the gall to ask if he’d stop for bread for her! I gave her the cold-shoulder almost the entire time she was there, and not subtly, either. When she came to a place where Dad, my sister, and I were standing, I walked away, down the hall and out of sight. She is a relation by marriage. She was Dad’s sister-in-law, married to his brother, who died two years ago. She hated me growing up. Mom didn’t want her there. Neither did I. The decision was made when I wasn’t around.

Mom was the first person to encourage my talents. She loved art and storytelling. She was a daydreamer. She was so smart and had wanted so badly to go to college when she was a girl, but was told by a guidance counselor in 9th grade (back then, junior high was 7th, 8th, and 9th grades) that she was a welfare brat and would never be able to afford college, that she should take the business track at high school. My mother could be stubborn, but sometimes she could bend too far, too. Instead of telling the guidance counselor to get stuffed, she followed his advice. When I first went to college in 1995, she was more excited than I was. When I left at the end of 1997 for the birth of my first daughter, she was devastated. She never told me that, but I knew. When I went back in 2003 and earned my B.A. in 2005, she was very happy. I was the first college graduate in the family. When I got my Master’s last spring, she was so proud. By then, though, she was sick. Sicker than we knew, I guess. Still, she got to see me get my Master’s.

That’s what I use to help me through this right now. She was proud of me. She had copies of my books that she would haul out and show whoever came over. More than once in the last few years I grinned and felt strange as my mother introduced me to nurses as her son, the teacher and writer. “He had a story in a book with Stephen King!” she would say, with a smile on her face. I know she’d tell them about how my students generally tend to love me as a teacher, and she thrilled in stories I would relate when I’d drive her to Boston for her first round of cancer back in 2016. Some students made a video thank-you for me that I showed her and she cried tears of pride during it.

She was proud of my girls. Courtney, who will be 21 in April and is in art school in Boston, and G, who is six and in kindergarten, were both very important to her. She loved them with a radiance that burned like a sun. Courtney was living my mother’s dream, going to art school in the hopes of doing art professionally. G was the little granddaughter she loved to talk to and hear stories about. She had such hopes for G, and knew she would go on to great things. We’ll see, but I think she may be right.

Mom was proud of me for my second marriage. She loved Pamela, and knew Pamela could put up with my crap but wouldn’t take it, kind of like Mom.

My parents hardly ever fought, and certainly didn’t shout or swear at each other. I never saw them do this. Neither of my girls are as fortunate with their father, but Mom and Dad loved each other with a love that was unreal. They had nothing in common, but they loved each other ridiculously. Together 45/46 years, and they were still gaga for each other. Yeah, they got on each other’s nerves, but their love was truly something.

Mom could be a pain in the ass. She knew how to push buttons and sometimes, I suspect, did so somewhat happily. We weren’t as close when I was an adult as when I was growing up, and part of that was her ability to push my buttons. Others saw it, too, so I know it’s not paranoia, but at the end, I tried to be there as much as possible, calling as often as I could. Mom could be frustrating in her stubbornness, something we’ll be dealing with for the foreseeable future, as we go through her things and find hidden food, unopened items from a variety of sources. She could be a child sometimes, during the last decade. She had no filter, never did. That could be fun. When I was growing up, she at least had tact most of the time. But she ran us around. A quote of hers was, “If Mama ain’t happy, ain’t nobody happy.” It was funny and said in jest, but I always felt she really meant it. She would say what came to her head, and was born before political correctness was really a thing. She said things that would make your jaw drop, but there was never really any malice in it. As my older girl, Courtney, would say, “Oh, Mémé.”

Mom was funny. She loved dirty jokes. She told us all to watch out when we stepped off the sidewalk because we might step on her mind. I learned of things at a young age that most kids don’t learn until high school amongst friends, because of her humor. She let me watch R-rated movies at nine because she knew I was sneaking up after everyone was in bed and watching them on HBO and Cinemax, anyway. It’s because of her that I saw A Nightmare on Elm Street at nine. She trusted me.

We would sometimes lie in her bed and talk for hours. When I was bullied in school, she would listen and give advice. When I was sad, she would listen and tell me stories. She told me lots of stories of her youth. It wasn’t a particularly happy one, but she told me stories that weren’t terrible. She would listen as I talked about anything, even if she wasn’t interested. We would have good talks. I could always go to her when I was a kid.

When I was an adult, I found out she’d been sexually abused by a stepfather when she was in her teens. It helped fit some of the puzzle pieces together. She never really did get the mental health help she should have, despite my suggestions that she do so. Mom had a pretty crappy life until 1973. Her mother and father weren’t happy. Her father left the family and started a new one. Mom’s older sister was a ne’er do well with a terrible disposition. Mom’s younger brother was the typical hellion, a regular Dennis the Menace. His name was Billy. My grandmother would have two more daughters, one born nine years after Mom, and the last, Donna, was born with Down Syndrome and severe mental retardation. My grandmother was an alcoholic. My older aunt got pregnant and left the family as soon as she could. Mom raised Billy and the two younger girls. When Mom was 17, two weeks before Billy’s 12th birthday, he died unexpectedly from a brain tumor. Her last words to him were, “Oh, don’t be stupid.” She carried that with her to the end. She vowed to name her first boy after him. That’s where I get my name from. Sometime during this, as she had to call various bars to find her mother, as she had to get a secretarial job in high school, as he became addicted to cigarettes and food–and spending–she was molested by the stepfather.

In 1973, she met Dad. His friends told him he should go talk to the blonde at the bar. He went to a blonde, not the right one. Their relationship ended yesterday with her death. Dad turned Mom’s life around. She told me once that she could’ve been on a very bad path before meeting Dad. He saved her. Divorced and untrusting, he was wary to remarry. But in 1974, they eloped to New Hampshire.

There’s so much more I could write about Mom. She always had sayings and colloquialisms, most of which I’ve forgotten, but she had them all. She had a chip on her shoulder to anyone who she thought tried to be better than her. She loved dancing and music, oh, did she love dancing and music. She could dance! When she began suffering from chronic pain around 2005, not being able to dance hurt her so much. She was in too much pain to dance at my wedding to Pamela in 2009, and it hurt her so much. It hurt all of us, because we knew she’d be out there all day if she could’ve. She loved movies and reading and drawing and art and cooking and jokes and animals and her family and….

And she’s gone now. Her suffering and pain are gone. I still can hardly believe it. I don’t want to believe it. I wait for her to tell us that the last ten years was all part of some crazy, ill-conceived joke. But she wouldn’t. She didn’t like practical jokes.

G asked me if Mémé went to heaven. She learned about heaven at daycare. I’m an atheist. I don’t believe in heaven or hell. I stole a Bruce Springsteen line and told her that Mémé’s heaven is in our hearts. I told her that Mémé will always be in our hearts and minds, we’ll always remember her. For me, she will be constant. I will always wonder if I’m making her proud. I know I’ll fall short, but I also know she’ll always be proud of me.

Mom knew she was dying Wednesday night. She said her goodbyes. Her and I laughed and cried, and we hugged and kissed, and I held her hand, and she yelled at me when I rubbed it too hard (my Dad, too), and she said that she was afraid of going to sleep because she might not wake up. Dad and I told her not to be afraid, that she needed her sleep. I don’t know if Dad’s advice was simple advice, but mine wasn’t. I wanted her to know that I was all right if she needed sleep, for the night or eternally. I wanted her to know that we loved her and that we’d be all right. I wanted her to know that while I wasn’t always there, I would always be there.

My universe lost a bright, bright star. A star that shined brighter than many stars. I feel a little lost, now, but that’s normal, I guess. I hope she knew I tried my best, I always tried my best. Yeah, she knew. I am going to miss that woman.

Mom & I after her cancer surgery in 2016. The day she went home, 21 December 2016. She had Star Wars on TV because I was coming.

In 2019, I Promise to Something or Other, or I’m Here, See?

As has been the case for the last few years, I’ve meant to write here sooner. When I think I might, though, I think of Bruce Springsteen’s “Dancin’ in the Dark,” the opening lines of which are, “I get up in the evenin’ / And I ain’t got nothin’ to say.” That’s how I’ve felt. At least a little. I have things to say, but are they worthy of being said? Now right there is a problem that the internet has created, isn’t it? Lots of people saying shit that doesn’t need saying. I certainly do that enough on Facebook and Twitter. And even Instagram, when I think about it. But this is my space and….

And I’ve been working on other things. Here’s what’s gone on:

I started writing a middle-grade science fiction adventure novel in July because my youngest daughter asked me to write a story for her. At four years old, we began reading junior novels to her and she loved them. That summer, she asked me to write her a story but with grad school going I didn’t have the time. I began it this summer but once she was out of daycare in August, I didn’t have the time or energy. Then school started. I got back into writing in the fall, though, when I edited and rewrote Echoes on the Pond. Right around Thanksgiving, I began submitting it. I’m still waiting to hear back from an agent but we’re very close to the two months where I may not hear anything. But either way, Echoes on the Pond has begun going out there.

In December, I finally finished the middle-grade science fiction adventure story. It’s about 21,000 words and I read the first draft to Pamela and G and they loved it. G was so happy, she kept hugging and kissing me. She’s six now and she loves those longer books even more. So that’s the next to be revised, right after I finish…

A new novel I’m writing! This one is an adult novel, horror/supernatural suspense/dark fantasy. I’m only about 25,000 words in so far but I feel like I’m digging well and may not break the story too much.

I have a short story I need to put into rotation, too. The other stuff I’ve written about? Well, I still need to work up my druthers to pitch column ideas, but it’s there. The main thing is that I’m writing again and having fun doing it.

As far as other things in life, they’re fine, I guess. Medical bills and student loans both suck. I’m sick of dealing with those people. The world seems like it’s ready to fall apart around us but there’s also an energy and hope that I’ve never seen before. My depression has been pretty bad for the last month or two, but I know that’s how it works. Depression seems like an ocean, to me, with the waves ebbing and flowing and right now, it’s stormy and the waves are big. My job is to ride them. My mother has had a rough go of things and that hasn’t been fun. Things could be improved upon in my family’s lives but overall, I’m happy.

The main thing, for this blog, is that I’m writing again. And I hope that this means I’ll be here more. Time will tell. Take care of yourself and happy 2019.

Harlan Ellison

“René Descartes walks into a bar. The bartender says, ‘Would you like a drink?’

Descartes says, ‘I think not,’ and disappears. A moment later he reappears and says, ‘On second thought…’

Anyway, Bill, this is Harlan Ellison.”

That was how my second voicemail from Harlan began. It was a moment that knocked me out. I’d already received a call from him the prior fall, in November 2006, but there I was leaving work in the spring of 2007, hearing the gruff voice again. A voice I’d heard in audiobooks, CD recordings of lectures, and on television was, again, coming from my phone. At the end of the message, he left his phone number.

I never used it.

Harlan Ellison died on June 27th. I heard about it on June 28th, which happens to be my wedding anniversary. I am heartbroken.

It’s taken me almost two months to write this because I wanted to get it right. I don’t know that I have. Harlan’s work has amazed me since I first started reading it when I was 19 years old, in 1996. I have trouble believing that I’ve been a reader and fan of the guy I first saw on television through his commentary on Sci Fi Channel’s Sci Fi Buzz when he was in his 60s and I was at the end of my teens. Turning 41–an actual friggin’ adult!–and Harlan is gone. People talk about their favorite Harlan Ellison stories. Of course, “‘Repent, Harlequin!’ Said the Ticktockman.” and “I Have No Mouth, and I Must Scream” are classics and I love them both. I am partial to “Jeffty is Five” and “The Resurgence of Miss Ankle-Strap Wedgie,” and also “Incognita, Inc.” But trying to list favorites is a mug’s game, as Harlan might say. Every time I think of a few, a few more pop up that I love. His nonfiction was amazing, too. It made me want to try my hand at nonfiction, which is how I got into blogging, and even had the nerve to pitch my column to Dark Discoveries Magazine back in 2004.

But his writing, which was how he defined himself, was only a part of what I loved about Harlan. His personality seemed very similar to mine at times and I loved that he would say what he believed, throwing the chips into the air and letting them fall where they lay. For a kid who spent too much of his adolescence trying to figure out who he was, just living your life by your rules and to fuck with anyone who didn’t agree was refreshing. Looking back, I realize I may have taken this too far at times because Harlan had something I lacked: courage. Or the stupidity of just not being scared by anything. He was a Force of Nature, I was a Fart in the Wind. I look back on my column, American Gauthic, and some of the things I wrote online and said in real life during my early-to-mid-to-late-20s and cringe. I should not have gone there. I was not then, and am not now, Harlan Ellison, who could mostly get away with it. That said, the column did build some bridges and it is the thing that got me the voicemails from Harlan.

In the fall of 2006, upon renewing (or changing my address for) my HERC–Harlan Ellison Recording Collection–subscription, I sent a letter saying I was writing an essay about him if he’d like to read it. Harlan (or, more likely, Susan) sent a Post-It attached to an issue of The Rabbit Hole saying yes, so I mailed the manuscript to him.

A few weeks later, I was leaving work at my newish job as a teaching assistant and I saw I had a voicemail. It was Harlan, thanking me for the essay, telling me it was good, and correcting some mistakes that I’d made. I was thrilled. I wish my phone company at the time had let me keep the voicemail. I revised the essay and sent it to the magazine. The next spring it was published and I mailed the copy or two that Harlan had asked for to keep in his files.

Spring of 2007 was a good time for me. I had met the woman I was pretty sure I was going to ask to marry me. I had been hired as a teacher. Things were looking good. As I left school, I saw I had a voicemail. I opened it and heard, “René Descartes walks into a bar….”

Harlan Ellison had a large impact on my life, just as he did on many readers’ lives. His words, his personality, his performances, his life helped me through difficult times. Harlan’s message in his writing and in many of his lectures and public appearances was to be ourselves, to not take shit, to learn and think and love and help and basically try to be our best. And that was a message I needed at critical times in my life when, as someone coming from a lower middle-class background, elitism was a definite no-no.

Harlan and I had a few exchanges via his bulletin boards, but I was never able to bring myself to actually call him after he gave me his phone number in the spring of 2007. I was just too goddamned afraid, which would have disappointed him. I wasn’t afraid of him, I was afraid of me. It was stupid, and I should’ve listened to everyone around me, but I didn’t.

And now, Harlan is gone. I didn’t know him. I wasn’t a friend. I was a reader who admired his work and what the man did in his life. There are many out there who can tell stories of bad behavior and this and that and fuck them all. Harlan Ellison was a great man. His stories could cut you, make you feel, make you laugh, make you cry. He always believed in the possibilities of human beings. Harlan wanted what was best for us and for us to live our best lives with ethics, and for us to also know we’re all broken to a degree. We all have ugly sides that are part of being human. He wanted us to experience good art, good food, the best of what humanity had to offer. He knew, though, that there was violence beneath it all, and he had no problem revealing and, in some ways, reveling in it.

Harlan Ellison is dead. Words I knew I’d have to write someday but still feel strange to see together. Like Robin Williams and Wes Craven, another of my heroes gone. But, never truly gone. Because the work remains. And that is what Harlan wanted, for the work to last far longer than he did. I’m up to carrying it along. Join me?